BOOMERANG PRODUCTION pres. ENIGMATICA @ Ambasada Gavioli, 14.-15.08.

[Boomerang Production]

Pozdrav,

Obadva vanjska floora se zatvaraju u 01:00 sati (do 01:00 plava boja, onda dalje crna boja  ), ako netko nije skužio, i tako 14.08. i 15.08. ujutro, kad se klub u 08:00 zatvori, after je od 08:00 do 12:00 opet na vanjskom flooru (virtual riviera - plava boja).

LP,
BP team

p.s. Tok Tok vs Soffy O' live! imaju performans od 00:00 do 01:00 na dan 15.08.

[illa]

Michel De Hey

da. sta je najgore nisam ga nikad cula. moglo bi se ici...

[Bojan6089]

Pozdrav,
kad se klub u 08:00 zatvori,

ja sam mislio da klub radi do 12:00.

ili se to odnosi na stageve ispred....

[timewarp]

a da procitas post do kraja

[timewarp]

[timewarp]

http://www.megaupload.com/?d=JV9NVCL6
 Adam Beyer Live @ Matrix (Italy) 30.4.2009

e da oce gruvat ko na 88 i  96. minuti 

[Valentino Luigi]

Like It 

[dark_sign]

[Valentino Luigi]

Like It  come on

[kaspeR]

uajme to je onaj iz big bradera .. sonja

[Boomerang Production]

DANNY TENAGLIA
www.dannytenaglia.com



...::: bios :::...

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation.

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night.

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize.

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping the "Be Yourself" party buzzing every Friday.

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time 'Best Party' for "Be Yourself."

"Be Yourself" took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to condo developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

Since then Danny has remained prolific in the clubs and has graced the decks in all the big rooms in NYC including Avalon, Crobar, Pacha NYC, Roxy and Webster Hall. Now after a long studio silence, Danny re-emerges in 2008 with his newest single on Tommy Boy Records, "The Space Dance", named in honor of his first weekly residency at renowned global clubbing institution Space Ibiza to begin in July 2008. Immediately following that, Danny will release his first compilation album in five years, entitled "Futurism" also on Tommy Boy, with a nod to the modern dance floor and Danny's outlook for tomorrow's sounds programmed to captivate the next generation.

And as in every year since his DJ odyssey began, all across the globe, from his hometown of New York City to Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs.





...::: audio :::...


http://www.megaupload.com/?d=PTS91XPJ

http://rapidshare.com/files/87268233/01-danny_tenaglia_-_on_the_move-sat-01-25-2008.mp3

http://www.megaupload.com/?d=QQ8F6SPR


...::: video :::...

http://www.youtube.com/watch?v=XxdNPnStpn4&feature=player_embedded

http://www.youtube.com/watch?v=1Hfw0mRHt3w&feature=player_embedded

http://www.youtube.com/watch?v=S0Ta1WjlRiA&feature=player_embedded

...::: interview :::...

http://www.youtube.com/watch?v=6IHShxBT-Bo&feature=player_embedded

http://www.beatportal.com/feed/item/danny-tenaglia-interview-with-beatportal/

[Boomerang Production]

FESTIVAL - ON TOUR

PAST
18.07.2009 Enigmatica Festival - On Tour @ U60311 (Frankfurt) Billy Nasty, L''on, Shadow Sync live!, Virage Visuals
24.07.2009 Enigmatica Festival - On Tour @ Goppion Caffè (Trieste) Ian F, Virage Visuals

UPCOMING
07.08.2009 Enigmatica Festival – On Tour @ Camera Club (Wien) Lory J Ward, L''on, Ian F, Virage Visuals
08.08.2009 Enigmatica Festival - On Tour @ Stereo Club (Klagenfurt) Eric Fischer, L''on, Virage Visuals
12.09.2009 Enigmatica Festival - On Tour @ RockHouseBar (Salzburg) Eric Fischer, L''on, Virage Visuals
24.10.2009 Enigmatica Festival - On Tour @ Altavoz (Mestre) L''on, Shadow Sync live!, Virage Visuals

[Boomerang Production]

ADAM BEYER
www.drumcode.se




...::: bios :::...


Alongside Stockholms Cari Lekebusch, Joel Mull and Jesper Dahlback, Adam Beyer has become synonymous with the techno sound of Sweden, which has quite literally shaken the world since the mid-nineties. From the driving percussive force of his Drumcode label to the more open electronic miasma on his current Truesoul and Mad Eye imprints, Beyer remains one of the biggest and most influential producer/DJs on the planet.
Ever keen to continually evolve and develop, his three studio albums Decoded (Planet Rhythm, 1996), Protection (Drumcode, 1999) and Ignition Key (Truesoul, 2002) aptly show the Swedes studio development from raw diamond to the polished article. Hes come a long way from sneaking underage into Stockholms blossoming acid house scene but would also be the first to admit that hes still got just as long and interesting journey ahead of him. From listening to hard rock and Kiss at the tender age of 5, Adam Beyer was always fascinated by music and the black shiny discs he would struggle to save up and buy as a youngster in Stockholm. Whilst getting into hip hop and rap, Beyers young ears were suddenly opened to the new sounds emanating from Italy and the UK in 1987/88 via the "rakt over disk" radio show which played a mish-mash of the blossoming house music scene. I decided that it was the coolest thing on earth, he fondly remembers and listened to it every week.

He (the presenter) was manipulating a lot of the records, singing over them - he was in a big fancy studio with all this equipment. It was then that I decided I was going to be a DJ. At the time Beyer was playing drums in one of those youth places where kids hang out. It had a disco in one room with decks, studios, drums and a pool table .....


...::: audio :::...


Adam Beyer - CLR Podcast #013 - 25-4-2009
http://www.cl-rec.com/pod/CLRSR013.mp3


Adam Beyer @ Awakenings festival - Halfweg - Amsterdam 27.06.2009
http://rapidshare.com/files/259024009/Adam_Beyer_-_live___Awakenings_-_Gashouder_-_Amsterdam_06-10-2006.mp3

Adam Beyer @ Matrix - Italy; 30.04.2009
http://www.megaupload.com/?d=JV9NVCL6


Adam Beyer @ Omen FFM; 23.01.1998
http://rapidshare.com/files/99100930/Adam_Beyer___Omen_FFM__23.01.1998.rar


...::: video :::...


Adam Beyer - Stereotypes

http://www.youtube.com/watch?v=OZUZnSUNgFE

Exit Festival 2009, ERIC PRYDZ B&B ADAM BEYER @ Dance Arena

http://www.youtube.com/watch?v=eO7Y_-D_izo&feature=player_embedded

...::: interview :::...

http://www.youtube.com/watch?v=8vl3OeQ8ib8&feature=player_embedded

[dark_sign]

Beyer je na EXIT-u bio vidno raspolozen za svirku. Nisam bio ljubitelj njegova stila u zadnjih nekoliko godina, ali ono sto sam cuo na EXIT-u je bio vrlo plesni minimal.

[Ub]

DANNY TENAGLIA
www.dannytenaglia.com



...::: bios :::...

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.......................................................

nepotrebna piskaranja 




uglavnom...ne ide se jer smo već tamo   

[timewarp]

 

[DraCo]

i headliner techno floora na moonlightu, robert stahl, je na newcomer stageu  

 

[DannyK]

Obavijest

Jos je ostalo ponesto jednodnevnih karata na podrucju Hrvatske!

Zainteresirani se mogu javiti na 098/786608

Thks

[The Spyro Project]

Beyer je na EXIT-u bio vidno raspolozen za svirku. Nisam bio ljubitelj njegova stila u zadnjih nekoliko godina, ali ono sto sam cuo na EXIT-u je bio vrlo plesni minimal.

Mislim, da je Adam jedan od DJ-jeva koji je oduvijek imao feeling za floor i odabir dobre muzike u pravo vrijeme pa tako i sad ne gledajuči na to da se trendovi tehna mijenjaju ili bolje rečeno idu dalje, razvijaju se - ne vrti boring muziku

[dark_sign]

Ide se.
 

[crni]

Ide se.

+1

[ShineOn...]

opa, bit će nas masu

idete oba dana ili?

[dark_sign]

Znat cu vise u srijedu navecer.

[timewarp]

guz liz guz liz guz liz 
odustalo se

[dark_sign]

Labinjani, da bude i neke koristi od vas.
Koji je najbolji put od Labina prema AG-u?

[crni]

Labinjani, da bude i neke koristi od vas.
Koji je najbolji put od Labina prema AG-u?

Labin-Buzet-(Sv. Anton)-Kopar-Izola

[dark_sign]

Izmedju Labina i Buzeta ima gradova? 

[crni]

Izmedju Labina i Buzeta ima gradova? 

Nema, do tunela Učka, pa Lepoglav i manja sela...

[dark_sign]

Lovi li me vinjeta ako idem na taj granicni prijelaz?
Blog "kako izbjeci vinjetu po slovenskim cestama" ne precizira put do Izole.

[ShineOn...]

i mene zanima kako bez vinjete do izole, ali iz zagreba pa ako je tko išao neka slobodno da koji savjet

[Bojan6089]

i mene zanima kako bez vinjete do izole, ali iz zagreba pa ako je tko išao neka slobodno da koji savjet

uf izjebat ces se po cestama okolo.
Mislim da cak ima neki blog o tome kako po sloveniji bez vinjete. Karte i sve, neko se bas potrudio.

Upisi u google slovenija(slovenijom) bez vinjete, ili tako neku variaciju pa ces nac.

[ShineOn...]

pogledala sam na tom blogu već, ali nema.

[timewarp]

kakva volja iz zg ici u izolu van autoceste.radje bi dao tih 15 ojra i vozio se normalno

[timewarp]

btw labin-pazin-porec y i nema vinjete

[ShineOn...]

kakva volja iz zg ici u izolu van autoceste.radje bi dao tih 15 ojra i vozio se normalno

nije volja nego recesija nemam pojma kakve su te alternativne rute, ako mi vremenski dođe na isto i ako nije prevelika zajebancija radije uštedim. ne škodi pitat koje su mi opcije